O Pato (The Duck) (Silva-Teixeira) 2:29Ġ5. Desafinado (Jobim-Mendonça) Hit Single Version 1:59Ġ3. Joe Ferrante, and Nick Travis (tp) replace Glow and Terry Willie Dennis (tb) replacesīrookmeyer and Walt Levinsky (cl) replaces Beckenstein, who subs for Sanfino on flute Romeo Penque (b-cl) Hank Jones (p) Jim Hall (g) Tommy Williams (b) Johnny Ra (d Ray Alonge (frhn) Eddie Caine (a-fl) Jerry Sanfin (fl) Arthur “Babe” Clarke, Ray Beckenstein (cl) STAN GETZ (ts) with Orchestra Arranged & Conducted by Gary McFarlandĭoc Severinsen, Bernie Glow (tp) Clark Terry (fkhn) Bob Brookmeyer (v-tb)Tony Studd (b-tp) Recorded at Pierce Hall, All Souls Unitarian Church, Washington D.C., February 13, 1962 (9-16) from the album Big Band Bossa Nova (Verve V6-8494)īUDDY DEPPENSCHMIDT, BILL REICHENBACH (d) (2-8) from the album Jazz Samba (Verve V6-8432) The difference was his success - and that’s show business. Yet a year before, Stan Getz had been playing every bit as brilliantly, and as sensitively as in these albums. The first follow-up, B ig Band Bossa Nova” with Gary McFarland, was in the charts, too, for several weeks. Sparked by the Getz-Byrd smash album, the bossa nova trend continued to build with more albums. In a culminating irony, he returned to top place in the 1962 Down Beat Readers’ Poll. Suddenly, Getz was the only jazz saxophonist in the charts, and Desafinado made the Billboard Top 20 for pop singles and won a “best solo jazz performance” Grammy for Getz. Yet the album started the Bossa Nova movement in American popular music and Jazz Samba rocketed up the charts and got Getz on to rock-and-roll stations, so that teenagers were listening to the single version of Desafinado, pulled up from the Verve LP. “The idea developed of making an album of some of these tunes. “I didn’t know anything about bossa nova,” Getz said. The tide did not turn until 1962, when he and guitarist Charlie Byrd recorded Jazz Samba”for the Verve label. So, in the 1960 readers’ poll, he had slipped from the first place tenor slot he had won every year since 1950. had moved towards harder, more aggressive statements, characteristics not found in his lyrical approach. When Stan Getz returned to New York early in 1961 after more than two years in Denmark, he found jazz trends in the U.S. Free Jazz / Avant-Garde / Impro Up to 40% Discounts (Second Batch). Vinyl Summer Sale - Up to 30% Discount!.Waxtime Colored Classic LPs & Special Vinyl Editions.Supper Club: Female Vocal Jazz on Vinyl.Jazz, Funk & Soul 7 Inch Collector's Editions.Easy Listening, Exotica, Soundtracks & Library Music.Jazz-Rock, Prog-Rock, Canterbury Sound, RIO & other deviances.Afro-Jazz, Disco-Funk, Soul-Jazz & Global Sounds.J Jazz: Deep Modern Jazz from Japan + Related Japanese Music.Avant-Garde, Free Jazz, Contemporary Music, Ambient & Minimalism.Spiritual Jazz, Fusion, Jazz Funk & Modal.The video with composer (Tom Jobim) playing guitar and singing "One Note Samba" (English lyrics) is of really decent quality as for the 1964 year it was recorded for the documentary 'The Music According to Tom Jobim', by Nelson Pereira dos Santos and Dora Jobim. It was also frequently covered by guitarists, especially jazz guitarists. One Note Samba became jazz standard and popular song covered by many notable musicians and singers including Stan Getz, Charlie Byrd, Frank Sinatra, Ella Fitzgerald, Sérgio Mendes, Barbra Streisand, Al Jarreau. In 1960 legendary Brazilian composer Antônio Carlos Jobim, lso known as Tom Jobim wrote a song ""Samba de Uma Nota Só" (One Note Samba). A few years later the Brazilian composer Ary Barroso wrote the classic Samba, "Brasil," which quickly became a hit. The dance was introduced to United States in 1933 when Fred Astaire and Dolores Del Rio danced the Carioca in "Flying Down to Rio" movie. Since 1917 It has been performed as a street dance at carnival for 100 years. It was not widely accepted until the 20th century. Samba is believed to have arrived in Brazil from Africa some 300 years ago during the slave trade. 2017 is the year when we celebrate 100 years of Samba, Brazil's most popular music and dance style.
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